The song “Spooky,” that catchy little anthem about being befuddled by love, plays twice in Jim Jarmusch’s lovely triptych melancomedy “Father Mother Sister Brother.” Its laid-back, liquid rhythms are a perfect mood-setter for a film that also understands that loving someone doesn’t mean you know them all that well. Here, the affection is not romantic […]
‘Father Mother Sister Brother’ Review: A Starry Cast Excels in Jim Jarmusch’s Charming Triplicate Portrait of Familial (Mis)Understanding
